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Military
1800s / Napoleonic Wars
England / Portugal /
Spain
I should begin this
review by saying I have never read any of the original MacDonald Fraser Flashman stories, but I have visited a
number of ‘Peninsula’ battle grounds and I’m reasonably familiar with the
Spanish history side of the Napoleonic war. I also like a loveable rogue, so I
was more than happy to read this novel. And to start with I was not
disappointed. The story commences in London, where Thomas Flashman ingratiates
himself with somebody’s mistress by helping her to create a scandal. The
scandal involves gentlemen in very high places and ‘Flashy’ needs to extricate
himself p.d.q. He accepts an Army post and gets himself sent to Lisbon to join
Wellington’s troops.
The great thing about
this Flashman is not that he is a rogue, or even a reluctant hero, it’s that he
has a knack of doing the right thing for the wrong reasons. For example, early
in the story he saves a man’s life, not because he was brave but because his
horse’s reins got caught up in a tree and he couldn’t get away from the enemy
himself. At the end of the story – not wishing to give away to many spoilers –
he is physically launched into a pitched battle with superior French troops by
a group of Irish soldiers, who had noticed him trying to sneak off feigning a
wonky leg. Flashman then becomes a genuine hero by slaying a Goliath and saving
the day. The battle scenes are excellent: easy to imagine; the blood and
tragedy of it all understated but no less real for that.
In all, I was enjoying
this romp through history, despite the very pro-British, gung-ho depiction of
events, until the middle of the story and Flashman’s involvement with three
different women. Brightwell, the author speaking as ‘editor’, makes a joke of
British troops ‘liberating’ nuns from convents – one doesn’t need to be told
why. And this is Flashman’s attitude to women in general. Obviously the story
is set in an epoch and situation where modern attitudes to women did not
prevail, but even so, we now see Flashman as a real cad.
The incidents involving
a noblewoman (supposedly his cousin), her maid, and the Spanish folk-heroine
the Maid of Zaragoza are regrettable. They spoil the story. Humour is elicited
from a combination of barrack-room boasting and plain old (male) wishful
thinking: the women are dismissed quite literally as sex objects. As I say,
very different social mores operated at the time – and Brightwell should have
taken this into consideration. I cannot believe that any ladies’ maid of the
period would have risked losing her reputation or her place through pregnancy,
or have gone against her Catholic upbringing quite so fast as the eager
Consuela. Flashman’s treatment of Agustina de Aragon, the Maid of Zaragoza, is
excused in the editor’s end notes, but the scene where Flashman ‘takes' her in
the cathedral during a holy procession quite frankly besmirches her name. It went
too far. It was not funny. Nor was Flashman’s behaviour to his cousin’s husband
simply because he is ‘a dwarf’. Yes there were freak shows at the time, they
are mentioned in the novel, but modern readers hopefully no longer interpret
contemporary attitudes in quite the same way.
A couple of other points
that rather lessen the quality of the story-telling, which is otherwise
compelling and amusing, is the approach to proofreading and somewhat random
inclusion of ‘editor’s notes’. Some sections of the book have very poor
punctuation; others are word and comma perfect. Some chapters are followed by
what usually goes at the back of a historical novel, many are not.
There is one other point
I’d like to raise, and I’ve seen this in other war stories. When a survivor
takes stock of an aftermath, how can he know there were (precisely) ‘six
hundred and twenty-six’ men injured? When a soldier stands looking out at the
enemy, how does he know there are eighty men at the front of each column, or an
army of 69,000 mustered on the plain below? Thomas Flashman is relating his
adventures in Portugal and Spain as in a memoir, meaning he had access to data
later, but it does sound odd when numbers are wielded in the anticipation of
battle, or an exhausted warrior lifts his head to find he’s thankfully still
alive among precisely six hundred and twenty-six other men.
All in all, however,
this is an entertaining story. Brightwell’s premise is that historical fact can
be stranger than fiction, which many know to be true, especially historical
fiction authors. If you are looking for a bit of easy history wrapped up in an
early nineteenth-century wartime romp, then this might be a good book for a
chilly weekend. But it’s definitely one for the chaps.
© J.G. Harlond
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