AMAZON UK £3.84
AMAZON US $4.99
AMAZON CA $6.26
shortlisted for Book of the Month
Celtic / Fantasy
In late 1700s Ireland, rebellion against oppressive English rule was on the rise. In one quiet corner, however, society was still relatively peaceful. Theodosia “Dosey” Latimer lives with her grandfather in their family’s country estate of Strokestown. On the property, they discover a mysterious cave filled with ancient carvings and decide to try to excavate it. In the process, they accidentally awaken The Morrigan.
Yes, that Morrigan. The mythical Irish war goddess. Now it is up to Dosey and her grandfather to teach Morrigan how to behave like a proper 18th century lady - and keep her out of the rebellion coming their way.
This was, simply put, a remarkably fun read. Author Christy Nicholas weaves in mythology and history smoothly throughout the narrative. Readers are given glimpses of Celtic myth alongside bits of information about the 1798 Irish Rebellion, led by Wolfe Tone. Parts of the story were surprisingly funny as well. Morrigan learning 18th century table manners is exactly what you would hope for.
The parts of the book that I most appreciated were its many feminist elements. Feminism was a necessary component of the plot for Dosey to be able to grow as a character and a woman. She also was a product of her time and none of her actions were unbelievable or out of place in the story. However, it’s hard for me not to cheer and fall in love with characters who make comments like “I do not understand the shame your society has for the body. It is a glorious thing, full of life and pleasure” or “You are power. You are woman. All woman are power.” Here, Morrigan was reflecting what was understood to be the typical pre-Christian culture of ancient Ireland (or at least the author’s interpretation of it), but it remains highly relevant in today’s society where women’s rights are still challenged and threatened by the patriarchy. Having a mythical character speak the words makes them no less relevant, and allows a certain safe distance from which we can examine our modern morals and values. I loved it.
My only criticism is that I felt some of the secondary characters could have been developed a little more. I wanted to get to know Nan better, and Cillian and Marcus. They were fine, but they felt like they were placeholders or extras just playing a necessary part in a formula. However, they were not totally flat or one-dimensional, either, and they served their respective purposes well enough.
Overall, I loved this book and look forward to reading more by this author.. Strongly recommended for anyone who is interested in Irish mythology, history, or the influence of women on either subject.