AUDIOBOOK REVIEWED
"This was such a thought-provoking novel. Though fiction, it deals with issues which happened in real life and which are still highly relevant today"
AMAZON UK
AMAZON US
AMAZON CA
Family Drama
Early 20th/Early 21st (dual timeline)
Kabul, Afghanistan
The Pearl The Broke Its Shell is a dual timeline narrative told mostly from the perspective of Rahima, a young woman living near Kabul in 2007. She and her sisters are the children of an opium-addicted father and, with no brothers to help the family, their hope of improving their life or marriage prospects are grim. Their rebellious aunt, Shaima, suggests that Rahima follow an old custom called the bacha posh, which not only sounds like Klingon the way the narrator pronounced it, but it is the tradition of allowing a girl to dress and act as a boy when there are no other boys in a family. She can go to school, run errands for her mother, and chaperone her other sisters. In this way, Rahima becomes Rahim, a boy until she reaches marriageable age and her father marries her and her two other eldest sisters off. By marriageable age, I mean she was 13.
The tradition of bacha posh was not unique to Rahima’s family. She had a many-times-great grandmother, Shekiba, who had lived as a man near the turn of the century as well. The secondary timeline follows her story from her small village and farmstead, through the cholera epidemic that wiped out her entire family, and how she lived as a man in order to survive.
This was such a thought-provoking novel. Though fiction, it deals with issues which happened in real life and which are still highly relevant today - child marriage, honor killing, domestic abuse, drug addiction, and many other issues. Any one of these things is enough to break a person, but underneath all this is woven the strength of women. Rahima and Shekiba, as well as the other women throughout the book, all suffer hardships, sacrifices, abuses, and losses that are unimaginable. Some, like Rahima’s sister Parwin, are overcome. But others, like Rahima and Shekiba themselves, keep fighting even when they think they’ve come to the end of their strength and can’t go any further or endure anything else life could possibly throw at them. In the end, Shekiba’s story becomes a source of strength for Rahima, and Rahima becomes the pearl that breaks her shell.
I loved the use of bird imagery throughout the book. Parwin was fond of drawing birds, there were birds singing and fluttering about in many pivotal scenes. Birds have some significant parts in Islamic culture, from the “Miracle of the Birds” when Abyssinian forces were supposedly annihilated by birds dropping pebbles from the sky to prevent them from entering Mecca and destroying the Ka’bah, to stories found in The Thousand and One Arabian Nights to works by Sufi poets and Islamic mystics. Including the bird imagery elevates the narratives of the women and equates them to many of the mystics or saints from other cultures in some ways, those who were made holy through their suffering, like medieval saints. I am not sure if that is intentional or not, but the image is there all the same.
This mystic thread continues in the book’s title, which is derived from the ecstatic poem There Is Some Kiss We Want by Rumi, the 13th-century Sufi poet. It is a lovely poem:
There is some kiss we want
with our whole lives,
the touch of spirit on the body.
Seawater begs the pearl
to break its shell.
And the lily, how passionately
it needs some wild darling.
At night, I open the window
and ask the moon to come
and press its face against mine.
Breathe into me.
Close the language-door
and open the love-window.
The moon won't use the door,
only the window.
Excellent story but I was not quite so impressed by the narrator. I suggest read the book, not listen to the audio!
© Kristen McQuinn
"This was such a thought-provoking novel. Though fiction, it deals with issues which happened in real life and which are still highly relevant today"
AMAZON UK
AMAZON US
AMAZON CA
Family Drama
Early 20th/Early 21st (dual timeline)
Kabul, Afghanistan
The Pearl The Broke Its Shell is a dual timeline narrative told mostly from the perspective of Rahima, a young woman living near Kabul in 2007. She and her sisters are the children of an opium-addicted father and, with no brothers to help the family, their hope of improving their life or marriage prospects are grim. Their rebellious aunt, Shaima, suggests that Rahima follow an old custom called the bacha posh, which not only sounds like Klingon the way the narrator pronounced it, but it is the tradition of allowing a girl to dress and act as a boy when there are no other boys in a family. She can go to school, run errands for her mother, and chaperone her other sisters. In this way, Rahima becomes Rahim, a boy until she reaches marriageable age and her father marries her and her two other eldest sisters off. By marriageable age, I mean she was 13.
The tradition of bacha posh was not unique to Rahima’s family. She had a many-times-great grandmother, Shekiba, who had lived as a man near the turn of the century as well. The secondary timeline follows her story from her small village and farmstead, through the cholera epidemic that wiped out her entire family, and how she lived as a man in order to survive.
This was such a thought-provoking novel. Though fiction, it deals with issues which happened in real life and which are still highly relevant today - child marriage, honor killing, domestic abuse, drug addiction, and many other issues. Any one of these things is enough to break a person, but underneath all this is woven the strength of women. Rahima and Shekiba, as well as the other women throughout the book, all suffer hardships, sacrifices, abuses, and losses that are unimaginable. Some, like Rahima’s sister Parwin, are overcome. But others, like Rahima and Shekiba themselves, keep fighting even when they think they’ve come to the end of their strength and can’t go any further or endure anything else life could possibly throw at them. In the end, Shekiba’s story becomes a source of strength for Rahima, and Rahima becomes the pearl that breaks her shell.
I loved the use of bird imagery throughout the book. Parwin was fond of drawing birds, there were birds singing and fluttering about in many pivotal scenes. Birds have some significant parts in Islamic culture, from the “Miracle of the Birds” when Abyssinian forces were supposedly annihilated by birds dropping pebbles from the sky to prevent them from entering Mecca and destroying the Ka’bah, to stories found in The Thousand and One Arabian Nights to works by Sufi poets and Islamic mystics. Including the bird imagery elevates the narratives of the women and equates them to many of the mystics or saints from other cultures in some ways, those who were made holy through their suffering, like medieval saints. I am not sure if that is intentional or not, but the image is there all the same.
This mystic thread continues in the book’s title, which is derived from the ecstatic poem There Is Some Kiss We Want by Rumi, the 13th-century Sufi poet. It is a lovely poem:
There is some kiss we want
with our whole lives,
the touch of spirit on the body.
Seawater begs the pearl
to break its shell.
And the lily, how passionately
it needs some wild darling.
At night, I open the window
and ask the moon to come
and press its face against mine.
Breathe into me.
Close the language-door
and open the love-window.
The moon won't use the door,
only the window.
© Kristen McQuinn
Seems like an unusual story indeed but one I'd be interested in.
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