Fictional saga / Fantasy
In this sixth installment of Christy Nicholas’s Druid’s Brooch series, Etain, a 12th-century Irish woman, has the ability not to age thanks to the magic she draws from her Druid’s brooch. The brooch is an heirloom inherited from her mother, passed down the family line, first given to her family by a Druid in thanks for saving his life. Etain is able to change her appearance at will, so she can age herself appropriately over the years, but her natural appearance is of a woman around 30 years old. In truth, she is around 150. She has had many husbands, many children, and has had to leave them all behind in her long life to avoid being discovered and killed as a witch or Fae. Her current husband, Airtre, is a mentally and physically abusive putrescence of a man, a Christian priest whose primary goal is to move up in the Church to a bishopric. Etain stays only to protect her young grandson, Maelan, from Airtre. When events explode, Etain is forced to flee, getting help from some unexpected allies, including other priests and monks, as well as a few kindly Fae.
I have read several books by Christy Nicholas, including some in the Druid’s Brooch series, and I must say I think this is my favorite one so far. The characters were all multidimensional and interesting, for the most part, and I enjoyed seeing a variety of people mingling together in the villages Etain traveled to, even if life wasn’t really like that in 12th-century Ireland. I think the author captured the fear and ambivalence of an abused woman well, though I hope I never truly understand that personally. Etain had a horrific life and it speaks to the strength of her spirit that she kept going and trying to survive rather than just giving up and letting some mad horde kill her as a witch, for the brooch can’t protect her from death.
I loved the theme of tolerance woven throughout, as well as the Gaelic hospitality. There were many instances of travelers or even old friends being offered food, drink, and washing water the moment they set foot indoors. I loved that because that’s how I was raised and it felt like home to see it reflected on the page. As well, the tolerance was a thread throughout. Etain has lived long enough to know that belief isn’t what is important, it is people who are important. She tells Maelan that “a little kindness can have unexpected rewards,” and often she herself has to remember her own lesson and take the kindness of others. Later, Maelan’s wife, Liadan, tells her, “Before I met [Aes], I didn’t realize pagans were just normal people like you and me.” Learning that people have more similarities than differences is a vital life lesson that many people today still need to learn.
The one thing I wish was different was that some of the narrative felt rushed. When Etain left Faerieland and settled in the ringfort, working in the kitchens, for example, little time was spent there, little real detail. The same happened before she entered Faerieland, when she was in the village and traded all her herbs for a cow. I wanted more detail and time spent in those places. Doing so, I feel, would give more of a sense of loss, of fatigue, because Etain was happy in both of those places and then was forced to go again. But these are minor quibbles in my overall enjoyment of this very engaging historical fantasy.
© Kristen McQuinn
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