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mystery / witchcraft
17th century
France
"HOW DO YOU KEEP THE LOVE OF THE
KING OF FRANCE? 1676. In a hovel in the centre of Paris, the
fortune-teller La Voisin holds a black mass, summoning the devil to help an
unnamed client keep the love of the King of France, Louis XIV. Three years
later, Athénaïs, Madame de Montespan, the King’s glamorous mistress, is nearly
forty. She has borne Louis seven children but now seethes with rage as he falls
for eighteen-year-old Angélique de Fontanges. At the same time, police chief La
Reynie and his young assistant Bezons have uncovered a network of
fortune-tellers and poisoners operating in the city. Athénaïs does not know it,
but she is about to be named as a favoured client of the infamous La Voisin."
This novel has
been skilfully crafted from seventeenth century French prison archive material,
official transcripts resulting from hours and hours, years and years of
interrogations into what one might loosely term ‘witchcraft’. The story opens
with a flashback to a black mass, where a priest is conducting a ceremony over
the body of a naked female. The reader witnesses the scene from different
points of view and from that moment we are aware that a practised charlatan is
at work. We are also invited to guess the identities of an aristocratic
observer and her servant, although this is called into question later. Much is
called into question later as little by little we come to know the people
involved in this scene; their fears and motivations, and their personalities
and ambitions.
The story
follows three principal players in the investigation into La Voisin’s trade, for she is far more than a mere
fortune-teller: a young, somewhat naïve police agent, the daughter of the
fortune-teller, Marie Montvoisin, and Madame de Montespan, one-time mistress of
the King of France and mother to seven of his children. As the story unfolds,
we learn about these three very real people and start to understand what drives
them, and this is where Kate Braithwaite’s skill lies. Madame de Montespan
wants – needs – far more than a simple return to the King’s favours; she has
her extended family’s future to consider – as her demanding sister constantly
reminds her. She also wants the King to legitimize their children. It calls
into question just how far she is prepared to go to achieve all this. Marie’s
situation is less complex, but far sadder, something the initially innocent
young policemen picks up on, to his detriment. He feels sorry for the girl,
allows himself to be seduced by her then begins to doubt how far she is
prepared to go to achieve her freedom. Behind the scenes and acting almost as a
running commentary on the events is the self-confessed charlatan, Lesage, whose
cynical world view informs on what is happening in the prison.
Apart from the
sinister background to the trials, there is virtually no action in this novel:
Madame de Montespan moves between royal apartments and a convent; Marie and
Bezons’ interaction takes place in a prison room. To begin with, I began to
wonder when the story was going to get started, but then realised that the
narrative is a form of trial or examination in itself. The dialogue is handled
with such finesse that as I learned certain details I simply had to read on to
confirm my suspicions. The characters are complex, and there are definite
turning points, but on the whole this is a quiet, contemplative novel. Kate
Braithwaite has crafted a compelling and convincing piece of writing out of a
real-life scandal. I look forward to reading more of her work. Definitely a
Discovered Diamond.
© J.G. Harlond
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