Mystery
1860s
England
#3 of a series
The Hollow of Fear is the third in Thomas’s Lady Sherlock series and
honestly, they just keep getting better and better. In this installment,
Charlotte Holmes helps her dear friend Lord Ingram when his wife’s body is discovered
in the ice house on the grounds of his country estate, Stern Hollow. Charlotte
provides assistance and moral support to Ingram, who is the prime suspect in
Lady Ingram’s murder. In order to be able to assist and move freely among the
police investigators, Charlotte dresses up as Sherlock’s fictional brother
Sherrington, which is hilarious since Sherlock himself is fictional as well.
Livia, meanwhile, though concerned about Ingram, is also pining for the
mysterious man she met in the second novel, while trying not to be obvious
about it. Readers will be rooting for her to get some kind of happiness, which
has been so long withheld due to circumstance and her parents’ unkind
personalities. Throughout the twists and turns, Charlotte has to keep her sisters
safe, keep her identity as Sherlock secret, and keep Ingram out of the
hangman’s noose.
There is so much to unpack in this novel. The plot is wonderfully complex
and it kept me guessing until the end. We learn that, as so often in real life,
people are not always as they first appear. Some turn out to be nicer than we
think, and in this case, learning that was a delightful surprise. Others are
harboring dark secrets and it hurts to find out who it is. It was also a treat
to learn more about Ingram’s other two brothers: Wycliffe, the eldest and the
duke, and Remington, the youngest and free-spirited of the group. Although they
really didn’t make an actual appearance on the page to speak of, it still gave
a more well-rounded background for Ingram and Bancroft that was appreciated.
Readers of the series are already intimately familiar with Ingram, of course,
and Bancroft, a quasi-Mycroft figure.
But it is beyond the plot where the novel’s true strengths lie. Charlotte
still desires Ingram, and propositions him on occasion, to his consternation,
since he operates within the scope of society. However, she only wants him on
her terms and is willing to wait if necessary. Unlike the original Sherlock,
Charlotte isn’t asexual, but she refuses to allow society to dictate how she
lives her life, and she isn’t driven purely by mindless desire, which would be
terribly boring. The fact that she is almost certainly on the spectrum also
makes for some interesting interactions because she reacts to emotions very
differently. Also unlike the original, Charlotte uses food and eating as her
addiction rather than cocaine, which sparks great discussion about body positivity
and body image. I love her commentary about “maximum tolerable chins.”
My favorite element of this particular story is that it has lots to say
about gender identity. Thomas takes Sherlock and gender-flips him into Lady
Sherlock, which is fun enough on its own. But here, Lady Sherlock goes and
dresses as a man so she can help Ingram. While she was dressed as Sherrington
Holmes, the handful of people who know Charlotte is actually Sherlock - Ingram,
Livia, and Inspector Treadles - maintained her cover, addressing her as a man
and treating her as such. They said things to her and allowed her to do things
as Sherrington that never would have been allowed had she presented as
Charlotte, even if it was just Ingram, who is indulgent of her and lets her do pretty
much what she wants. I found the interplay of gender identity and gender
fluidity to be fascinating.
Oh, and that last line! I simply can’t wait for the next book!
© Kristen
McQuinn
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