Amazon UK £1.99 £8.99
Amazon US $2.58 $11.19
Family Drama / Witchcraft
Elizabeth I
Hertfordshire,
England
Marjory is going
through a bad time. As a midwife in rural Hertfordshire she has never lost
either baby or mother. Two other older midwives in the area, jealous of her
being appointed by the Lord of the Manor to tend his pregnant wife cite her
previous unblemished record, an adopted black cat and a mole on her arm as
proof that she must be a witch. Meanwhile, Marjory loses three babies and a
mother, and is blamed for the death of the father of one of them in quick
succession. Included in the death toll is the miscarriage of the Lord's wife.
Charges are brought against Marjory but she is cleared and advised to return to
her own manor, which, following the desertion of her husband, has fallen on
hard times.
When a former
servant appears unexpectedly, the novel goes into permanent flashback, telling
Marjory's story, her parents' execution for heresy and how she met – and captured
– her faithless husband. But in this section we see a different Marjory. A
younger woman, conscience of her position in society, selfish and somewhat
manipulating.
This is a
complex story, well handled by the author, and I wish to avoid any more spoilers,
but the ending will leave you wondering and I thoroughly recommend this
captivating tale.
One thing I feel
I should point out- and this is very much as constructive advice for new writers, not for this excellent author herself. In the edition sent to be reviewed there is a slight discrepancy in correct punctuation... (and I must point out that the edition I received may well have been a pre-proofread copy, so not a final one!)
There are a number of incidences where dialogue lasts through two, or even more, paragraphs. Usual practice would be to break these long structures up with something like:
There are a number of incidences where dialogue lasts through two, or even more, paragraphs. Usual practice would be to break these long structures up with something like:
“…text.”
(new line) She shrugged, unable to continue for a moment.
“….text.”
or to put no closing
speech marks at the end of the paragraph, but to add opening marks at the
beginning of the next e.g:
“……. text… (end para no closing ")
(new line) “…text…”
I am surprised
that an editor or proof-reader did not pick this up, but as I mentioned, this could have been a pre-published edition, and anyway, it is a very small point, and does not detract in the slightest from the overall appearance, content or enjoyment of this very good novel.
© Richard Tearle
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This sounds like one for my tbr list, too.
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